Satiric Dancer
“Look at Magda Förstner: her eyes vibrate, her mouth tenses, her nostrils quiver, her body knots, folds, opens up…,” marveled a critic for the Parisian daily Le Soir in 1927. He was reviewing the Hungarian dancer’s performance at the Sorbonne. To him, she represented “the whole fantasy, the whole new rhythm, the whole music hall … Read more